DREW

1. 01

   Lyrics first. Every line of the song was timed and given a shot that acts it out: "First thing that I bought was the moon" is the pendant, "Blue loc, silver cuff" is the cuff going onto the loc, "Four cars on P3" is the garage.

2. 02

   Refs on his shots. Drew's locked face (front and side) and a hair ref go into the Seedance prompt as image references, so he never drifts. Claudia gets her face ref and her orange-tee ref. The garage, the orange P1 and the rooftop sign each have their own ref.

3. 03

   Stills for anything hard. Car doors, the hotel entrance and the driving shot were made as stills first, fixed until right, then used as the start (and sometimes end) frame of the video.

4. 04

   Video. Seedance 2.5, omni_reference, 4 to 10 seconds a clip, sound off. Every prompt says what moves, what the camera does and what must stay still.

5. 05

   Lip sync. The song is cut at exactly the clip's slot and run through Sync Lip Sync 3 with the finished clip. Claudia's face in the rooftop close-up was cropped, synced on its own, and laid back in with a feathered mask.

6. 06

   Edit. Cuts land on the song's line changes. Subtitles show the sung line only, small, white, centred near the bottom. No fades, no captions, no codes.

• ✕Never write "pulls up", "drives in" or "speeds off" for a car that should look real. Cars are parked, engine off, unless the shot is the car itself.
• ✕Never let both car doors open at once, and never let anyone walk through a car.
• ✕Never rely on Seedance to lip sync a song. Generate the shot silent and run Sync Lip Sync 3 on the finished clip.
• ✕Never let Claudia look into the camera. Her eyes stay on Drew.
• ✕No text, logos, tickers or brand names in frame.
• ✕No real people as references and no real artist names in prompts.
• ✕Only one blue loc.

26 shots and 47 steps, in film order. Every prompt is the exact text from the generation log, and nothing here is retyped.

1. 

   SHOT 010:00.00-0:05.00Intro

   No lyric

   Drew alone at the trading desk at 3:58am, the city behind him.

   VIDEOSeedance 2.52026-10-25 · job fe41653c-f7cd-4216-a1c2-c888cab00831

   omni_reference · 6 s · 16:9 · 720p · audio off

   • image references: Drew face ref 1 (locked headshot)
   • image references: Drew face ref 2 (side view)
   • image references: Drew hair ref (locs tied back, one blue loc)

   THE PROMPT

   PROMPT · EXACT TEXT FROM THE LOGCOPY

   3:58am in a dark penthouse. He sits at a trading desk with four big monitors, every screen showing the $DREW chart shooting straight up in green. Green light on his face. He leans in, then slowly leans back in the chair and smiles. Slow push in from behind his shoulder to his face. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, short dense beard, hazel eyes. Hair exactly like the references: black locs pulled back tight into a low ponytail behind his head, none hanging loose over his shoulders, chest or face. Only ONE single loc is bright blue, at the front left, with a small silver moon cuff. All his other hair stays black. Real music video, 35mm, night, hard flash and warm practical light, visible grain, natural skin, lots of real background life and motion, no subtitles, no logos.

2. 

   SHOT 020:05.00-0:10.50Hook 1

   Moon on my neck, now the chart match it

   He spins to camera at the desk and raps the hook.

   VIDEOSeedance 2.52026-10-23 · job 70e37cee-55a1-4640-80d7-9efb5c0b24f9

   omni_reference · 6 s · 16:9 · 720p · audio off

   • audio references: the song cut for this line (Seedance kept the beat but did not lip sync it, see step 2)
   • image references: Drew face ref 1 (locked headshot)
   • image references: Drew face ref 2 (side view)

   THE PROMPT

   PROMPT · EXACT TEXT FROM THE LOGCOPY

   At the trading desk, he spins the chair around to face the camera and raps straight into the lens, pointing back at the green charts on the monitors. He raps these exact words: "Moon on my neck, now the chart match it / Moon on my neck, now the chart match it". He raps with real energy, like he loves it: big hand gestures toward the lens, head nodding hard on the beat, shoulders bouncing, grinning between bars. His lips clearly form every syllable of the lyrics in sync with the audio. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, short dense beard, hazel eyes. Hair: black locs tied back. Only ONE single loc is bright blue, at the front left, with a small silver moon cuff. All his other hair stays black. Real music video, handheld 35mm, night, hard flash and warm practical light, visible grain, natural skin, lots of real background life and motion, no subtitles, no logos.

   LIP SYNCSync Lip Sync 3 (Higgsfield sync_so)2026-10-25 · job 2176c2f3-215c-4de1-9a1e-f69ae3abe60d

   mode cut_off

   video in: the Seedance clip above · audio in: song cut V02, 7s

3. 

   SHOT 030:10.50-0:16.00Hook 1

   Moon on my neck, now the chart match it
   Wore it 'fore it moved, now they all asking
   Moon on my neck, now the chart match it

   He stands and raps walking through the penthouse.

   VIDEOSeedance 2.52026-10-25 · job 00854911-e118-4c1b-aa7f-09a8791ce42c

   omni_reference · 6 s · 16:9 · 720p · audio off

   • image references: Drew face ref 1 (locked headshot)
   • image references: Drew face ref 2 (side view)
   • image references: Drew hair ref (locs tied back, one blue loc)

   THE PROMPT

   PROMPT · EXACT TEXT FROM THE LOGCOPY

   He stands up from the trading desk, grabs his black overcoat and raps to camera while walking toward the lens through the dark penthouse, monitors glowing green behind him. Camera backs away handheld. For the first half second he is silent, then he raps these exact words: "Wore it 'fore it moved, now they all asking / Moon on my neck, now the chart match it". He raps with real energy, like he loves it: big hand gestures toward the lens, head nodding hard on the beat, shoulders bouncing, grinning between bars. His lips clearly form every syllable. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, short dense beard, hazel eyes. Hair exactly like the references: black locs pulled back tight into a low ponytail behind his head, none hanging loose over his shoulders, chest or face. Only ONE single loc is bright blue, at the front left, with a small silver moon cuff. All his other hair stays black. Real music video, 35mm, night, hard flash and warm practical light, visible grain, natural skin, lots of real background life and motion, no subtitles, no logos.

   LIP SYNCSync Lip Sync 3 (Higgsfield sync_so)2026-10-25 · job a11507d9-623d-4875-9cbb-ccdb8da73966

   mode cut_off

   video in: the Seedance clip above · audio in: song cut V03, 7s

4. 

   SHOT 040:16.00-0:19.30Verse 1

   Moon on my neck, now the chart match it
   First thing that I bought was the moon, then the rest

   In the elevator, checking the pendant in the mirror. The floor reads P3.

   VIDEOSeedance 2.52026-10-25 · job 3a010a5f-28cc-46c1-a18e-69dc1dc972a5

   omni_reference · 5 s · 16:9 · 720p · audio off

   • image references: Drew face ref 1 (locked headshot)
   • image references: Drew face ref 2 (side view)
   • image references: Drew hair ref (locs tied back, one blue loc)

   THE PROMPT

   PROMPT · EXACT TEXT FROM THE LOGCOPY

   By the elevator he clips the iced crescent moon pendant on in a mirror, the green monitor glow reflected behind him. He checks it, nods once, then turns and presses the elevator button. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, short dense beard, hazel eyes. Hair exactly like the references: black locs pulled back tight into a low ponytail behind his head. Only ONE single thin loc is bright blue, at the front left, with a small silver moon cuff. Every other loc is black, no other blue strands anywhere. Real music video, 35mm, night, hard flash and warm practical light, visible grain, natural skin, no subtitles, no logos.

5. 

   SHOT 050:19.30-0:22.00Verse 1

   Funny how the chart started looking like what's on my neck

   Insert: the iced moon pendant on his chest.

   VIDEOSeedance 2.52026-10-25 · job 8a3452fc-dba4-470d-b05c-976bd449e37c

   omni_reference · 4 s · 16:9 · 720p · audio off

   • image references: pendant still (m8-pend)

   THE PROMPT

   PROMPT · EXACT TEXT FROM THE LOGCOPY

   Extreme close-up macro shot of the iced crescent-moon pendant with blue enamel (exactly like image 1) hanging on a thin chain against his black tee, under the lapel of a black coat. He breathes and the pendant sways slightly; the diamonds catch the light and sparkle. Slow push-in. Dark background, warm practical light. Real 35mm film look, natural grain, shallow depth of field.

6. 

   SHOT 060:22.00-0:24.70Verse 1

   Blue loc, silver cuff, I don't do two

   Extreme close-up: the silver cuff goes onto the blue loc.

   VIDEOSeedance 2.52026-10-23

   omni_reference · 5 s · 16:9 · audio off

   • start image: 06-cuff-loc.png (gpt_image_2_5 still)

   From the first batch (draft 1).

   THE PROMPT

   PROMPT · EXACT TEXT FROM THE LOGCOPY

   Extreme close-up. His fingers slide the silver moon cuff onto the single blue loc and let go. Shallow focus, slight rack focus to his eye. 35mm film still, night, hard on-camera flash or warm practical light, visible grain, natural skin, no text, no logos. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, one bright blue loc with a silver moon cuff, short beard.

7. 

   SHOT 070:24.70-0:30.60Verse 1

   Ice so cold on the pendant put the room on mute
   Name up on the roof so I don't have to say it
   Every bulb is a night I was up while they played it

   The elevator doors open on the garage and he walks out.

   VIDEOSeedance 2.52026-10-23 · job b79fae0a-b4e2-4939-81dc-fdd2f46dbd72

   omni_reference · 5 s · 16:9 · 720p · audio off

   • image references: Drew face ref 1 (locked headshot)
   • image references: Drew face ref 2 (side view)
   • image references: garage set still

   THE PROMPT

   PROMPT · EXACT TEXT FROM THE LOGCOPY

   The elevator doors open onto his underground garage. Strip lights snap on row by row over four supercars. He steps out and walks in. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, short dense beard, hazel eyes. Hair: black locs tied back. Only ONE single loc is bright blue, at the front left, with a small silver moon cuff. All his other hair stays black. Real music video, handheld 35mm, night, hard flash and warm practical light, visible grain, natural skin, lots of real background life and motion, no subtitles, no logos.

8. 

   SHOT 080:30.60-0:32.20Verse 1

   Every bulb is a night I was up while they played it

   He takes the orange car key off the hook.

   VIDEOSeedance 2.52026-10-23 · job c5d13d73-fbca-487c-8f7b-864a88db79d0

   omni_reference · 5 s · 16:9 · 720p · audio off

   • image references: Drew face ref 1 (locked headshot)
   • image references: Drew face ref 2 (side view)
   • image references: orange McLaren P1 photo

   THE PROMPT

   PROMPT · EXACT TEXT FROM THE LOGCOPY

   He takes the orange supercar's key off a wall hook, tosses it once in his hand, and the orange car's butterfly door swings up. He drops into the driver's seat. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, short dense beard, hazel eyes. Hair: black locs tied back. Only ONE single loc is bright blue, at the front left, with a small silver moon cuff. All his other hair stays black. Real music video, handheld 35mm, night, hard flash and warm practical light, visible grain, natural skin, lots of real background life and motion, no subtitles, no logos.

9. 

   SHOT 090:32.20-0:38.20Verse 1

   Every bulb is a night I was up while they played it
   I don't do interviews, the chart do the talking
   I don't really move a lot, let the number do the walking

   He raps walking down the line of cars in the garage.

   VIDEOSeedance 2.52026-10-23 · job ac953f08-122e-4b8e-94e5-cfc1fe2511aa

   omni_reference · 6 s · 16:9 · 720p · audio off

   • audio references: the song cut for this line (Seedance kept the beat but did not lip sync it, see step 2)
   • image references: Drew face ref 1 (locked headshot)
   • image references: Drew face ref 2 (side view)
   • image references: garage set still

   THE PROMPT

   PROMPT · EXACT TEXT FROM THE LOGCOPY

   He raps to camera walking down the line of supercars in the garage, the camera tracking backwards in front of him, his hand trailing over the orange car. He raps these exact words: "I don't do interviews, the chart do the talking / let the number do the walking". He raps with real energy, like he loves it: big hand gestures toward the lens, head nodding hard on the beat, shoulders bouncing, grinning between bars. His lips clearly form every syllable of the lyrics in sync with the audio. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, short dense beard, hazel eyes. Hair: black locs tied back. Only ONE single loc is bright blue, at the front left, with a small silver moon cuff. All his other hair stays black. Real music video, handheld 35mm, night, hard flash and warm practical light, visible grain, natural skin, lots of real background life and motion, no subtitles, no logos.

   LIP SYNCSync Lip Sync 3 (Higgsfield sync_so)2026-10-25 · job 0d04f422-4c0a-4804-864a-db49d2beb360

   mode cut_off

   video in: the Seedance clip above · audio in: song cut V07, 7s

10. 

    SHOT 100:38.20-0:41.00Verse 1

    They ask what I'm worth, I said look, it's public

    The P1 driver door rises next to the giant moon. Only that door moves.

    STILLGPT Image 2.5Door-closed still2026-10-25 · job 0f8ec7f6-f51d-49a1-ae9c-0d63735a70b0

    16:9

    • garage-moon.png
    • 0153f0c3-244c-43c2-addb-c3be4aafbb21

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Same exact underground garage as the reference photo: same concrete ceiling and strip lights, same giant iced crescent moon sculpture with blue edge on its black plinth, same white Porsche 918 and red Ferrari, same wet reflective floor and colour grade. Remove the man. Camera moved closer to the orange and black McLaren P1, three-quarter front view from its driver's side, the moon sculpture and the white Porsche visible behind it. Driver's door CLOSED. Realistic 35mm film still, no people, no text, no logos.

    STILLGPT Image 2.5Door-open still2026-10-25 · job 5ae98ddb-4783-42bf-b1b2-2903abeb9382

    16:9

    • garage-moon.png
    • 0153f0c3-244c-43c2-addb-c3be4aafbb21

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Same exact underground garage as the reference photo: same concrete ceiling and strip lights, same giant iced crescent moon sculpture with blue edge on its black plinth, same white Porsche 918 and red Ferrari, same wet reflective floor and colour grade. Remove the man. Camera moved closer to the orange and black McLaren P1, three-quarter front view from its driver's side, the moon sculpture and the white Porsche visible behind it. Driver's dihedral door FULLY OPEN: hinged at the windscreen pillar, swung forward, up and outward, at its highest point. Realistic 35mm film still, no people, no text, no logos.

    VIDEOSeedance 2.52026-10-25 · job 3e64f433-f00b-4a75-9074-c53187126b3c

    omni_reference · 10 s · 16:9 · 720p · audio off

    • start image: door-closed still
    • end image: door-open still
    • image references: Drew face ref 1 (locked headshot)
    • image references: Drew hair ref (locs tied back, one blue loc)

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Locked-off tripod shot. McLaren parked, engine off, wheels still. Underground concrete garage with a giant jeweled moon sculpture and two other cars behind. The man in a black coat walks in from the left, crosses to the orange McLaren, puts his hand on the door. The door is hinged at the windscreen pillar and swings forward, up and outward in one arc. He looks back at camera with a calm smirk. Real 35mm film look, natural grain, steady overhead fluorescent light with no flicker, slightly gritty, not glossy or CGI.

11. 

    SHOT 110:41.00-0:43.60Verse 1

    S.I., not A.I., and I ain't here to discuss it

    Macro: the skeleton watch. Reused from the Leave The Lights On shoot.

    VIDEOSeedance 2.52026-10-23 · job 393fbabb-53b7-4a61-8ab8-9d4b1754d0cb

    omni_reference · 4 s · 16:9 · 720p · audio off

    • start image: skeleton watch still

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Macro. The skeleton watch gears turn and glint in the flash. 35mm film still, night, deep blue room light with one warm lamp, hard on-camera flash, visible grain, natural skin, no text, no logos.

12. 

    SHOT 120:43.60-0:45.50Verse 1

    Elon up at four tweeting moons from his phone

    The giant iced moon behind the tower. Reused from Leave The Lights On.

    VIDEOSeedance 2.52026-10-23 · job 7fc8c75b-9974-4f79-993d-122e642f7a48

    omni_reference · 6 s · 16:9 · 720p · audio off

    • start image: tower and moon still

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Slow aerial push toward the glass tower. 35mm film still, night, deep blue room light with one warm lamp, hard on-camera flash, visible grain, natural skin, no text, no logos.

13. 

    SHOT 130:45.50-0:49.50Verse 1

    Elon up at four tweeting moons from his phone
    I'm up at four with the moon on, I ain't gotta post, it's known
    Moon on my neck, now the chart match it

    4am on the terrace under the full moon. Reused from Leave The Lights On.

    VIDEOSeedance 2.52026-10-23 · job 72c56d53-0e7d-4fdb-a676-4f3c2ce0332b

    omni_reference · 8 s · 16:9 · 720p · audio off

    • start image: terrace still (04:00)

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    He stands on the terrace and looks back. The lamp inside stays on. Hold, then fade out. 35mm film still, night, deep blue room light with one warm lamp, hard on-camera flash, visible grain, natural skin, no text, no logos. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, one bright blue loc with a silver moon cuff, short beard.

14. 

    SHOT 140:49.50-0:54.10Hook 2

    Moon on my neck, now the chart match it

    He raps in the hotel lobby.

    STILLGPT Image 2.5Lobby still2026-10-25 · job 157e310b-4b34-4759-8fa8-2646dc6bd2d7

    16:9

    • 47b54980-9bb3-4db3-bac9-aa13d2c8671e
    • ref-drew-hair-tied.png

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Grand hotel lobby at night: warm marble, brass, chandeliers, soft amber light, empty except for the man from images 1 and 2 standing in the middle, facing camera, mid-shot. Black coat, black tee, iced crescent-moon pendant with blue enamel, black locs tied back with one blue loc at the front left with a silver moon cuff. Real 35mm film photo, natural grain, not glossy or CGI.

    VIDEOSeedance 2.52026-10-25 · job 54c5a58b-c714-4b2a-b624-0d7cd8f66be6

    omni_reference · 7 s · 16:9 · 720p · audio off

    • start image: hotel lobby still
    • image references: Drew face ref 1 (locked headshot)

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Handheld camera slowly circles him in an empty grand hotel lobby at night, chandeliers, marble floor, warm amber light. He stands still for the first half second, then raps with energy and confidence, walking toward the camera, hand gestures, head nodding to the beat, touching the moon pendant, big clear mouth movements, grinning between lines. Black locs tied back with one blue loc at the front left. Real 35mm film look, natural grain.

    LIP SYNCSync Lip Sync 3 (Higgsfield sync_so)2026-10-25 · job 8c847b29-c855-4ff2-9c93-ab69446b83d2

    mode cut_off

    video in: the Seedance clip above · audio in: song cut V10, 7s

15. 

    SHOT 150:54.10-1:00.10Hook 2

    Moon on my neck, now the chart match it
    Wore it 'fore it moved, now they all asking
    Moon on my neck, now the chart match it

    Leaning out of the P1 at the hotel entrance, rapping.

    STILLGPT Image 2.5Door fix on the hotel frame2026-10-25 · job ca3a035d-7f47-412c-9003-22ad2280088f

    16:9

    • m9-v11.jpg

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Edit image 1. Same man, same seat, same orange McLaren at the same hotel entrance, same pose. Fix the doors so they look like a real McLaren: only the driver door nearest camera is raised, as one single separate dihedral door hinged at the windscreen pillar, with a clean realistic hinge and a visible gap between the door and the roof. The far-side door is closed. No merged or connected door panels. Real 35mm film photo, natural grain, not CGI.

    VIDEOSeedance 2.52026-10-25 · job 81550603-cdda-466d-ab04-d4a87335374a

    omni_reference · 6 s · 16:9 · 720p · audio off

    • start image: hotel entrance still (one door up)
    • image references: Drew face ref 1 (locked headshot)

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Locked-off tripod shot. McLaren parked, engine off, wheels still. Only the driver door is raised, one single separate door hinged at the windscreen pillar; it stays still and rigid the whole time and does not bend or merge with the roof. The far door stays closed. He sits in the driver seat leaning out toward camera, still for the first half second, then raps with energy, hand gestures, head nodding to the beat, big clear mouth movements. Hotel entrance and doorman behind. Real 35mm film look, natural grain.

    LIP SYNCSync Lip Sync 3 (Higgsfield sync_so)2026-10-25 · job f5fc9e27-51e0-4832-bea9-72087cb94ae7

    mode cut_off

    video in: the Seedance clip above · audio in: song cut V11, 7s

16. 

    SHOT 161:00.10-1:05.56Verse 2

    Sixty floors up and the city look green
    Every window lit like a candle on a screen

    Claudia walks out of the hotel to the car.

    STILLGPT Image 2.5Hotel entrance still2026-10-25 · job 33cf5a39-61e8-452f-a41f-80ccb1e75568

    16:9

    • m8-v12.jpg
    • 47b54980-9bb3-4db3-bac9-aa13d2c8671e
    • ref-drew-hair-tied.png

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Edit image 1. Same hotel entrance, same orange McLaren parked at the curb with ALL doors closed, same doormen. Add the man from images 2 and 3 standing on the sidewalk beside the car, near the passenger side, facing the hotel entrance, hands relaxed. Black coat, black tee, moon pendant, black locs tied back with one blue loc at the front left. Real 35mm film photo, natural grain.

    STILLGPT Image 2.5Moved him to the sidewalk side2026-10-25 · job bde3e7e1-9301-4631-9beb-5e3733f87d64

    16:9

    • 33cf5a39-61e8-452f-a41f-80ccb1e75568

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Edit image 1. Same hotel entrance, same orange McLaren parked at the curb with all doors closed, same doormen. Move the man so he stands on the SIDEWALK side of the car, between the car and the hotel entrance, fully visible behind the car's roofline from the waist up, facing the entrance. Nothing between him and the hotel doors. Real 35mm film photo, natural grain.

    VIDEOSeedance 2.52026-10-25 · job 29e1c65f-392d-45ed-957f-23bab0a7bb5b

    omni_reference · 6 s · 16:9 · 720p · audio off

    • start image: hotel entrance still (Drew on the sidewalk side)
    • image references: Claudia face ref
    • image references: Claudia in the orange tee

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Locked-off tripod shot. McLaren parked at the curb, engine off, wheels still, all doors closed the whole time. He stands on the sidewalk between the car and the hotel entrance. The young woman from images 2 and 3 (black blunt bob with heavy bangs, one orange streak, orange tee) walks out through the hotel doors, sees him, smiles, quickens her pace across the sidewalk and throws her arms around his neck in a passionate hug. He wraps his arms around her waist. They stay on the sidewalk behind the car; nobody passes through the car. Real 35mm film look, natural grain, warm light.

17. 

    SHOT 171:05.56-1:10.92Verse 2

    Four cars on P3, ain't drove 'em since June
    Only time they leave the garage is when the chart hit the moon

    Driving. Drew watches the road, Claudia watches him.

    STILLGPT Image 2.5Edited still from an earlier take, so he watches the road2026-10-25 · job f55a1729-c173-48e3-9a48-ebdfefdd391b

    16:9

    • m7-v15.png

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Edit image 1. Same car interior, same two people, same clothes and lighting. The man is driving: eyes on the road ahead, looking forward past the camera, calm, both hands on the wheel, mouth closed. The woman in the orange tee is turned toward him, eyes on him, a small knowing smile. Real 35mm film photo, natural grain, not glossy.

    VIDEOSeedance 2.52026-10-25 · job 9067e840-8e83-4f83-b3d8-643485a3db72

    omni_reference · 6 s · 16:9 · 720p · audio off

    • start image: driving still (eyes on road, she looks at him)
    • image references: Claudia face ref

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Locked-off tripod shot through the windshield, camera fixed to the car. Night city lights drift past outside the windows. He drives with both hands on the wheel, eyes on the road, a slow small smirk, mouth closed. She looks out her window at the city, then back at him. No phone, nothing in his hands but the wheel. Real 35mm film look, natural grain, no light flicker.

18. 

    SHOT 181:10.92-1:13.60Verse 2

    Orange when I want it loud, silver when I'm low key

    The orange P1 on the street turns into the silver W1.

    STILLGPT Image 2.5Silver W1 swapped into the street frame2026-10-25 · job 1e01d500-3d21-4cfe-a2d4-809d6efe7642

    16:9

    • m7-v14.png
    • m7-w1.jpg

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Edit image 1. Replace the orange McLaren with the silver supercar from image 2 (silver body, orange accents), parked in the same spot facing camera, headlights on. Keep the same wet night street, red traffic lights, steam, and the same man leaning beside the car in his black coat. Real 35mm film photo, natural grain, not glossy or CGI. No logos or badges.

    VIDEOSeedance 2.52026-10-25 · job 902fb137-f45e-4e76-b23d-f6e5dedc1717

    omni_reference · 4 s · 16:9 · 720p · audio off

    • start image: last frame of the orange-car street shot
    • end image: silver W1 street still

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Locked-off tripod shot. Car parked, engine off, wheels still, headlights on. Wet night street, red traffic lights, steam drifting. The man leans on the car the whole time. The orange supercar smoothly morphs into the silver supercar: the paint shifts from orange to silver and the body reshapes in one fluid transformation, starting at the nose and sweeping back. Camera does not move. Real 35mm film look, natural grain, no logos.

19. 

    SHOT 191:13.60-1:16.28Verse 2

    Claudia only ride the orange one 'cause it match her hair and tee

    Back in the car. Claudia smiles at him.

    VIDEOSeedance 2.52026-10-25 · job e7e2a708-0a13-4438-830c-548f9d6cd56c

    omni_reference · 6 s · 16:9 · 720p · audio off

    • start image: driving still (eyes on road, she looks at him)
    • image references: Claudia face ref

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Locked-off tripod shot through the windshield, camera fixed to the car. Night city lights drift past outside. He keeps his eyes on the road the whole time, both hands on the wheel, mouth closed, calm. She stays turned toward him, eyes on him, a slow knowing smile, tucks her hair behind her ear. Neither of them talks. Real 35mm film look, natural grain, no light flicker.

20. 

    SHOT 201:16.28-1:18.90Verse 2

    They called it a phase when it sat there for weeks

    A tiny Drew sits on the tip of the giant moon over the city.

    STILLGPT Image 2.5First a hair fix on the ledge frame2026-10-25 · job 48feebf8-83a7-4e52-a4b3-bcb5a7ee5f6e

    16:9

    • m11-g14.jpg
    • ref-drew-hair-tied.png
    • 47b54980-9bb3-4db3-bac9-aa13d2c8671e

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Edit image 1. Same man, same pose sitting on the ledge high above the night city, same black coat, same framing and lighting. Fix his hair to match images 2 and 3: black locs tied back in a low ponytail, with only ONE blue loc at the front left wearing a silver moon cuff. All other locs are black, not blue. Real 35mm film photo, natural grain.

    VIDEOSeedance 2.52026-10-25 · job 560bb81c-6b49-4a4c-832a-2eea81172dce

    omni_reference · 4 s · 16:9 · 720p · audio off

    • start image: still:48feebf8-83a7-4e52-a4b3-bcb5a7ee5f6e
    • image references: Drew hair ref (locs tied back, one blue loc)

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Slow drone orbit around him as he sits on the edge of the giant jeweled crescent moon high above the night city and river. He turns his head to look out over the skyline, calm. Black locs tied back with only one blue loc at the front left; all other hair stays black. City lights twinkle. Real 35mm film look, natural grain.

21. 

    SHOT 211:18.90-1:22.65Verse 2

    Now they want the entry like I'm handing out keys
    I ain't handing out keys, I ain't handing out tips

    The orange P1 outside the hotel, crowd and phones behind the rope. Claudia sits in the passenger seat nearest the camera and watches Drew climb out of the far driver door and walk around the front of the car.

    STILLGPT Image 2.5Claudia placed in the passenger seat of the original hotel frame2026-10-28 · job ab98fbd6-93bd-45d7-8794-eaa72616fa77

    16:9

    • references/still-hotel-original-frame.jpg
    • references/ref-claudia-face.png
    • references/ref-claudia-orange-tee-in-car.png

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Edit image 1 and keep everything identical: same real photo, same camera, framing, hotel, crowd with phones, red rope, wet street, lighting, colour grade, grain, same orange McLaren in the same position facing right with both doors raised. Do not make it more cinematic or glossy. Remove the subtitle text. Change only the person in the car: replace the reclining girl with the woman from image 2 and image 3 (exact same face as image 2: glossy black jaw-length bob with heavy straight bangs, one orange streak, small orange star clip; orange tee like image 3). She sits UPRIGHT and properly in the front passenger seat nearest the camera, back against the seat, seatbelt on, hands in her lap, face clearly visible and in focus, small knowing smile, looking toward the front of the car. The other front seat (the driver seat, on the far side) is empty. Nobody else in the car.

    STILLGPT Image 2.5Face fix so she matches Claudia2026-10-28 · job 4b9c842e-adec-4bc2-80da-53453e2a7685

    16:9

    • references/still-hotel-claudia-seated.png
    • references/ref-claudia-face.png

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Edit image 1 and keep every pixel of the scene identical: same camera, car, doors, crowd, hotel, wet street, light, colour and grain, same woman in the same upright pose in the front passenger seat. Only fix her face and hair so she is exactly the woman in image 2: same face shape, eyes, nose, lips, skin, same glossy black jaw-length bob with heavy straight bangs, one orange streak at the front, small orange star clip. Natural real skin, sharp focus on her face, calm small smile, looking slightly toward the camera. No text.

    VIDEOSeedance 2.52026-10-28 · job d9e6f68c-a960-45ff-bdd2-c896b702bc2f

    omni_reference · 6 s · 16:9 · 720p · audio off

    • start image: references/still-hotel-claudia-face-fix.png
    • image references: references/ref-claudia-face.png
    • image references: Drew face ref 1 (locked headshot)

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Start exactly from the first image. Tripod shot, camera completely still, no zoom, one continuous shot. Same warm real-photo look, grain and softness as the first image. The orange McLaren is parked and never moves; both raised doors stay still. The woman stays seated upright in the front passenger seat nearest the camera for the WHOLE shot, seatbelt on, she never moves seats; her face stays exactly the woman from the second image, sharp, with a small smile, turning her head to watch him. On the far side of the car, the man from the third image (dense short black beard, black locs tied back, one bright blue loc, black overcoat, black tee, thin chain with a crescent moon) stands up out of the far driver-side door, comes into view above the roof, steps out, and walks around the front of the car toward the camera past the headlight, buttoning his coat. He never passes through the cabin. Crowd behind the rope holds up phones, flashes pop. No text, no logos.

    EDITffmpegTrimmed in the edit2026-10-28

    The first 1.5 seconds (where she looks into the camera) are cut. The shot uses 1.5s to 5.25s of the clip at normal speed, scaled to 1080p.

22. 

    SHOT 221:22.65-1:26.50Verse 2

    Wore the moon 'fore it moved, that's the only hint I give

    He tosses the key to the valet, Claudia beside him, flashes going off.

    VIDEOSeedance 2.52026-10-23 · job 36c82b7a-e784-470d-9fda-020e3857b7bd

    omni_reference · 4 s · 16:9 · 720p · audio off

    • image references: Drew face ref 1 (locked headshot)
    • image references: Drew face ref 2 (side view)
    • image references: Claudia face ref
    • image references: Claudia in the orange tee

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    He tosses the car key to the valet, takes her hand and taps the moon pendant on his chest as camera flashes go off. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, short dense beard, hazel eyes. Hair: black locs tied back. Only ONE single loc is bright blue, at the front left, with a small silver moon cuff. All his other hair stays black. The woman is the one in the references: glossy black jaw-length bob with heavy bangs, one orange streak, orange star clip, orange tee. She keeps her eyes on him, never on the camera. Real music video, handheld 35mm, night, hard flash and warm practical light, visible grain, natural skin, lots of real background life and motion, no subtitles, no logos.

    EDITffmpegTrimmed in the edit2026-10-28

    First 0.33s cut so the shot starts later, after the longer hotel shot.

23. 

    SHOT 231:26.50-1:32.00Hook 3

    Wore the moon 'fore it moved, that's the only hint I give
    Moon on my neck, now the chart match it

    Rooftop under the DREW sign with the crew, rapping the hook.

    VIDEOSeedance 2.52026-10-23 · job b8c3c8b7-ad99-477a-886a-5c56406f9d27

    omni_reference · 6 s · 16:9 · 720p · audio off

    • audio references: the song cut for this line (Seedance kept the beat but did not lip sync it, see step 2)
    • image references: Drew face ref 1 (locked headshot)
    • image references: Drew face ref 2 (side view)
    • image references: rooftop DREW sign still

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Rooftop party under the glowing DREW marquee sign. He raps the hook to camera with his crew around him, everyone jumping, phones up, champagne spraying. He raps these exact words: "Moon on my neck, now the chart match it". He raps with real energy, like he loves it: big hand gestures toward the lens, head nodding hard on the beat, shoulders bouncing, grinning between bars. His lips clearly form every syllable of the lyrics in sync with the audio. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, short dense beard, hazel eyes. Hair: black locs tied back. Only ONE single loc is bright blue, at the front left, with a small silver moon cuff. All his other hair stays black. Real music video, handheld 35mm, night, hard flash and warm practical light, visible grain, natural skin, lots of real background life and motion, no subtitles, no logos.

    LIP SYNCSync Lip Sync 3 (Higgsfield sync_so)2026-10-25 · job 32c4b025-fcc6-440a-b4a6-5d2b73031785

    mode cut_off

    video in: the Seedance clip above · audio in: song cut V18, 7s

24. 

    SHOT 241:32.00-1:38.00Hook 3

    Moon on my neck, now the chart match it
    Wore it 'fore it moved, now they all asking
    Moon on my neck, now the chart match it

    Rooftop close-up with Claudia singing along.

    VIDEOSeedance 2.52026-10-23 · job 7dd194e0-8f55-4dae-9e7d-5799c253d316

    omni_reference · 6 s · 16:9 · 720p · audio off

    • audio references: the song cut for this line (Seedance kept the beat but did not lip sync it, see step 2)
    • image references: Drew face ref 1 (locked headshot)
    • image references: Drew face ref 2 (side view)
    • image references: Claudia face ref
    • image references: Claudia in the orange tee
    • image references: rooftop DREW sign still

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Close performance on the rooftop. He raps into the lens surrounded by the jumping crowd while the woman beside him watches him and sings along. He raps these exact words: "Wore it 'fore it moved, now they all asking / Moon on my neck". He raps with real energy, like he loves it: big hand gestures toward the lens, head nodding hard on the beat, shoulders bouncing, grinning between bars. His lips clearly form every syllable of the lyrics in sync with the audio. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, short dense beard, hazel eyes. Hair: black locs tied back. Only ONE single loc is bright blue, at the front left, with a small silver moon cuff. All his other hair stays black. The woman is the one in the references: glossy black jaw-length bob with heavy bangs, one orange streak, orange star clip, orange tee. She keeps her eyes on him, never on the camera. Real music video, handheld 35mm, night, hard flash and warm practical light, visible grain, natural skin, lots of real background life and motion, no subtitles, no logos.

    LIP SYNCSync Lip Sync 3 (Higgsfield sync_so)2026-10-25 · job 9a265fd6-36ed-4c47-8077-cf92150d6cb5

    mode cut_off

    video in: the Seedance clip above · audio in: song cut V19, 7s

    LIP SYNCSync Lip Sync 3 (Higgsfield sync_so)2026-10-25 · job 82acc2fc-069e-4e5e-8983-272cfe7c64eb

    mode cut_off

    video in: Claudia's face cropped out of the synced clip · audio in: song cut V19, 7s

    Her lips were synced on their own and laid back over the clip with a feathered mask.

25. 

    SHOT 251:38.00-1:43.50Outro

    No lyric

    Wide rooftop party, the DREW sign and the moon.

    VIDEOSeedance 2.52026-10-23 · job 6e22902f-f314-4eb6-acf1-ca8db913a134

    omni_reference · 5 s · 16:9 · 720p · audio off

    • image references: Drew face ref 1 (locked headshot)
    • image references: Drew face ref 2 (side view)
    • image references: rooftop DREW sign still

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Wide shot of the packed rooftop party, the DREW sign blazing, a giant iced crescent moon hanging over the skyline behind, camera flashes everywhere. Slow crane up. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, short dense beard, hazel eyes. Hair: black locs tied back. Only ONE single loc is bright blue, at the front left, with a small silver moon cuff. All his other hair stays black. Real music video, handheld 35mm, night, hard flash and warm practical light, visible grain, natural skin, lots of real background life and motion, no subtitles, no logos.

26. 

    SHOT 261:43.50-1:49.58Outro

    No lyric

    Back at the desk at 4am. He looks back and the screens go dark.

    VIDEOSeedance 2.52026-10-25 · job 200446d2-cb7b-4ecf-b58e-7faa17040ad3

    omni_reference · 6 s · 16:9 · 720p · audio off

    • image references: Drew face ref 1 (locked headshot)
    • image references: Drew face ref 2 (side view)
    • image references: Drew hair ref (locs tied back, one blue loc)

    THE PROMPT

    PROMPT · EXACT TEXT FROM THE LOGCOPY

    Back in the dark penthouse, 4am. He drops into the chair at the trading desk, the $DREW chart glowing green on every monitor, looks back over his shoulder at the camera and smirks. The screens cut to black. Same man throughout: black overcoat, black tee, small silver crescent moon pendant on a thin chain, short dense beard, hazel eyes. Hair exactly like the references: black locs pulled back tight into a low ponytail behind his head, none hanging loose over his shoulders, chest or face. Only ONE single loc is bright blue, at the front left, with a small silver moon cuff. All his other hair stays black. Real music video, 35mm, night, warm practical light, visible grain, natural skin, no subtitles, no logos.